FROM JULY 21ST
In the month that Asif Kapadia’s eagerly awaited Amy gets its cinema release (showing at the IFI from June 30th), the IFI presents a supporting programme of brand new music docs featuring fascinating characters condemned to rock ‘n’ roll.
Julien Temple’s moving portrait of Wilko Johnson reunites the pair after Temple presented Dr. Feelgood’s story so brilliantly in Oil City Confidential; the riotous story of The Damned, as told by filmmaker Wes Orshoski, is a tale of wrong turns and bad blood, but also has humour and a fantastic soundtrack; and Salad Days is the celebration of an influential scene that produced such precious music that many would find it hard to live without.
AUGUST 4TH – 29TH
Inspired by the volume and impact made globally by protest movements in recent years, this season takes a selection of feature films, from a range of time periods and national cultures, to examine how some of cinema’s most creative and daring directors have tackled and responded to sociopolitical dissent.
In the spirit of the revolts or unrest that they endeavour to represent, the films included here reveal a desire to question positions of power and authority. They do so often by challenging the perceived limitations of the form, by blending fact and fiction, as in Haskell Wexler’s Medium Cool, inventing ways to disrupt or subvert narrative structure as in Věra Chytilová’s Daisies, or by coming up with radical, new methods of registering censure, as in Jafar Panahi’s The Circle and Abderrahmane Sissako’s Bamako.
Different forms and approaches to the subject of protest are explored here – some are immense in scale and feature huge casts and elaborate choreography as in Eisenstein’s Strike and Pontecorvo’s Battle of Algiers; while other works such as No Regrets for Our Youth and La Chinoise focus exclusively on the ideas behind forces of change and as such become bigger than the worlds they represent.
In every case however, the impulse behind these films is the same: to use the camera as a political tool, to record an energy that might have an impact beyond the auditoriums in which they screen.
Introduction and film notes by Alice Butler.
TIE-IN EVENTS & SCREENINGS
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